Rooted in youth work and artistic practice, YAW examines the relationships, language, culture and institutional conditions that shape young people’s everyday lives.
A young person’s move into supported accommodation begins before they arrive at the door. This post follows the decisions, plans, contracts and people around a placement: who chooses it, what the local authority pays for, what support is agreed, and what remains in place once the move has happened.
Supported accommodation became an Ofsted-regulated category in 2023. Its history reaches through care leaving, housing and local commissioning; this post traces how those overlapping arrangements formed, and what regulation now brings into public view.
After leaving No Limits in 2022, I moved into supported accommodation to work closer to the everyday conditions shaping young people’s lives. This post traces that shift and the questions it opened about continuity, accountability and what support can offer beyond a place to stay.
From September 2021 to January 2022, I worked with No Limits in A&E at University Hospital Southampton. This post considers youth work alongside CAMHS, the limits of social prescribing in a system of waiting lists, and why the work led me towards care and housing.
An overlooked Fareham retail unit became Unit3, a community art studio developed alongside Step Forward. This post traces the physical, creative and relational work required to make a space people could enter, use and return to.
From 2015 to 2020, I worked across Portsmouth, Gosport, Fareham and Havant as Activities Coordinator for SEHCO’s Step Forward project. This post considers what makes participation meaningful: relationships, practical access and a genuine route in.
Art school gave my existing practice time, critique and context. It did not give me ownership of it. This post traces why art and youth work remain related, but distinct.
Hype was a space in which young people’s writing, images and ideas could move from the youth centre into public view. This second part looks at the editing, design, training and shared labour behind it, and at whose work gets recognised.
At YouthInc 2003, young people questioned officials and presented an uncompromising account of unemployment and the New Deal scheme. A reflection on voice, public participation and what happens after institutions invite people to speak.
A reflection on a Children’s Fund-supported youth arts project that used names, mark making and early digital design to explore identity, recognition and creative participation.
YAW 